Posts Tagged ‘Heartless Bastards’

Homecoming 2009: Heartless Bastards

December 27th, 2009    Posted in Concerts, Local Music
 

One of Cincinnati’s greatest music products ever, at least in my generation, the Heartless Bastards, marked their return home with a sold-out show at the Southgate House last night. Although they’ve played a few shows in town this year, the last being at the end of September at the MidPoint Music Festival, based on the crowd’s energy alone you probably would’ve assumed it was their first show in town since front woman Erika Wennerstrom made the move out West to Austin, Texas a couple years ago. It was easily one of the best shows both musically and attendance-wise that I’ve seen at the Southgate House all year long, this alongside shows like Jason Isbell and the 400 Unit, Peter, Bjorn and John and Sara Watkins, formerly of Nickel Creek. It was also nice for Erika and the revamped Bastards lineup to come back home for one last show of the year.

It certainly has been an amazing year for the band; music critics, blogs and magazines are eating up their latest release, The Mountain, by the spoonful. They played a show last March with The Decemberists at the South by Southwest Festival in their new hometown, did The Late Show with David Letterman, did a stint over the summer as Wilco’s opening act on their tour, and they’ve played just about every one of the country’s biggest and best outdoor music festivals; I saw them open for the legendary Booker T. Jones at this past summer’s Bonnaroo Music Festival.

I lost track of time last night, but if I had to guess, I’d say the Bastards probably played for nearly two hours. While the night seemed to belong to the songs off of The Mountain, and the focus was certainly on a new sound and new guitar player, they did give the fans songs spanning their career, from albums like All This Time and Stairs and Elevators.

But it wasn’t just a great show because of the Heartless Bastards or the crowd’s energy; thanks to the J. Dorsey Blues Revival (recent CEA winners of the Blues category) for starting the night off very strong with Dorsey’s work on the slide guitar and the band’s bluesy, garage rock sound reminiscent of the 70’s. New favorite band in town.

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Seedy Seeds Come Away Big at 2009 CEA’s

November 23rd, 2009    Posted in Best of 2009, Local Music
 

The 2009 Cincinnati Entertainment Awards Show ended not even two hours ago at the Madison Theater in Covington, Kentucky. Over eighty bands were nominated in twenty different categories, which would ultimately represent the best in local music, as decided by critics, venue owners, radio personnel, fans and many countless others in between.

This year’s show featured standout performances from the Lions Rampant, Mark Utley & Magnolia Mountain, You, You’re Awesome, II Juicy, Small Time Crooks and Brian Olive. The event was hosted by Jen Dalton of Channel 12, and featured other keynote speakers like Dan McCabe of CityBeat Magazine, Jim Tarbell, Aaron Sharpe of WNKU, Marvin Hawkins, Elliot Ruther, and Kelly Thomas of the Rivertown Music Club, who gave a heartfelt speech about the Red McCormack Recording Grant Fund. This year’s recipient of the recording grant was Mark Utley and Magnolia Mountain.

Once again, congratulations to all of those who won, those who were nominated, and even those not nominated. Cincinnati has an exceptional music scene not just because of the talent and diversity, but also because of the continuing support of its devoted fans. You hear about places with strong music communities like New York City, Los Angeles, Nashville, New Orleans and Austin, but I like to think that those places don’t have quite the heart that we have here. There’s no reason Cincinnati can’t be on the same level as those cities. Let’s keep it growing!

2009 CEA Winners

Artist of the Year
Bad Veins

Album of the Year
The Seedy Seeds, Count the Days

New Artist of the Year
You, You’re Awesome

Alternative/Indie
The Seedy Seeds

Bluegrass
Rumpke Mountain Boys

Blues
J. Dorsey Blues Revival

Country
Dallas Moore

Experimental/Electronic
Chick Pimp, Coke Dealer at a Bar

Folk/Americana
The Tillers

Hip Hop
Eclipse

Jazz
Northside Jazz Ensemble

Metal/Hardcore
Beneath the Sky

Punk
The Frankl Project

R&B/Funk
Freekbass

Rock/Hard Rock
Buffalo Killers

Singer/Songwriter
Kim Taylor

World Music
The Pinstripes

Best Musical Ambassador for the City
Heartless Bastards

Best Live Act
The Seedy Seeds

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And the CEA Nominees Are…

October 14th, 2009    Posted in Local Music
 

cea logo

The nominees for the Cincinnati Entertainment Awards have just been announced, and as always the categories are stacked with talent. The winners could be anyone’s guess, as each of these artists are well-deserving of the awards. To cast your vote, click here. The awards show will take place on Sunday, November 22 at the Madison Theater in Covington, KY. Performing artists have yet to be determined.

Artist of the Year: Bad Veins, The Dopamines, The Lions Rampant, Pomegranates, The Seedy Seeds, The Sundresses, The Tillers, Wussy

Album of the Year: Bad Veins: Bad Veins, J. Dorsey Blues Revival: Get Right Church, Frontier Folk Nebraska: Pearls, Brian Olive: Brian Olive, Pomegranates: Everybody, Come Outside!, The Seedy Seeds: Count the Days, Jake Speed & the Freddies: World Come Clean, Wussy: Wussy

New Artist of the Year: The Atriums, Enlou, Brian Olive, Shiny and the Spoon, Small Time Crooks, State Song, Kelly Thomas and Ryan Malott, You You’re Awesome

Alternative/Indie: Bad Veins, Pomegranates, The Seedy Seeds, The Sundresses, Wussy

Bluegrass: Moonshine Drive, Mt. Pleasant String Band, Rattlesnakin’ Daddies, The Rubber Knife Gang, Rumpke Mountain Boys

Blues: J. Dorsey Blues Revival, Jon Justice Band, Mudpies, Ricky Nye Inc., Kelly Richey

Country: Dallas Moore, Kinsey Rose, Straw Boss, Kelly Thomas and Ryan Malott, Mack West

Experimental/Electronic: Chick Pimp Coke Dealer at a Bar, Pete Fosco, The Sleep, C. Spencer Yeh, You You’re Awesome

Folk/Americana: Frontier Folk Nebraska, Magnolia Mountain, Matthew Shelton’s Picnic, The Tillers, Wonky Tonk

Hip Hop: Buggs Tha Rocka, Eclipse, Famous Mr. Nobodies, Jayce Miguel, Small Time Crooks

Jazz: Wade Baker Jazz Collaboration, Dan Faehnle, Faux Frenchmen, Dan Karlsberg, Northside Jazz Ensemble

Metal/Hardcore: Beneath Oblivion, Beneath the Sky, Oh God the Terror, Paralyzer, Suicide Pact

Punk: Black Dove, The Dopamines, The Frankl Project, Loudmouth, The Read

R&B/Funk: The Blue Birds, Daughters & Sons, Freekbass, II Juicy, Los Honchos

Rock/Hard Rock: Banderas, Buffalo Killers, Cash Flagg, Chakras, The Lions Rampant

Singer/Songwriter: Billy Catfish, Nathan Holscher, Matthew Shelton, Kim Taylor, Wake the Bear

World Music: Duppy a Jamba, Lagniappe, The Pinstripes, Poco Loco, Super-Massive

Best Musical Ambassador for the City: Bad Veins, Foxy Shazam, Heartless Bastards, Wussy, C. Spencer Yeh

Best Live Act: Banderas, Dandelion Death, Eclipse, The Lions Rampant, The Seedy Seeds

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30 Bands I Want to See at MidPoint 2009

September 20th, 2009    Posted in MidPoint Music Festival
 

Out-of-Town Picks

Like a lot of people, my first taste of Chairlift came about because of their hit song “Bruises” that was featured in an iPod commercial. But when they opened for Peter, Bjorn and John this past April at the Southgate House, I saw a band that was about more than writing catchy songs that could become radio-friendly hits. In the beginning they were inspired to create music for haunted houses, but perhaps it would be more appropriate to say that the synth playing and vocals of Caroline Polachek has a somewhat haunting, mystical feel.

Some several years ago, I discovered Jason Isbell when he was playing guitar in the Drive-By Truckers during Widespread Panic’s summer tour. As one of three key songwriter’s in the Truckers, it was easy to see that he was destined to succeed with his own name. Following his divorce of the Truckers bassist, Shonna Tucker, Isbell left the band in 2007 and has since put out two albums. The first album came just months after his departure, but it was the self-titled, follow-up album that really seemed to reach fans and critic’s with the formation of his backing band, the 400 Unit. 

I decided to put the Heartless Bastards on the out-of-town list because they are now technically not a local band, even though I’ll always think of them as locals. This year has probably been the best in the band’s career which has seen a reincarnated lineup, the release of the highly, critically-acclaimed album The Mountain, tours with Wilco,  The Decemberists and Jenny Lewis, as well as appearances at nearly every major music festival. Welcome Erika and company back home when they perform Friday night at Grammer’s.

Scotland Yard Gospel Choir
The Dynamites featuring Charles Walker
Extra Golden
The Young Republic
The Baltic Sea
The Lighthouse and The Whaler
Bowery Boy Blue
The Dø
Micachu and the Shapes
The Bloodsugars
The Wildbirds
God Made Me Funky

Local Picks

There’s a lot going on with nearly every band I’ve decided to put on my local list. Most of them have either released new albums within the past year or are currently working on projects that will soon be released. A couple of them, you could even say, are somewhat newly formed bands. Cincinnati is stacked with amazing talent, and coming up with these fifteen picks was not easy. I’ve seen all of these bands perform live, some more than others and it even feels like I’ve seen some of them about thirty or forty times. I’ve been a long supporter of the local music and arts scenes, and I can tell you that if I had to choose the best bands in the area, I could have easily added at least fifty or so more bands to this list. So I present to you fifteen local picks for MidPoint 2009.

Travis Talbert has been gracing the local music scene for years as one of the finer lead electric and slide guitar players in the area, formerly with Norust and now with Frontier Folk Nebraska. The band has seen its share of lineup changes over the years, but it appears they have found the right combination of people, which you can certainly feel on their latest album, Pearls. Frontman Michael Hensley seems to fall somewhere between a Neil Young or Ryan Adams, but this is a band that even fans of My Morning Jacket and Band of Horses could get into. Look for Pearls to earn some nominations at the CEA’s later this year.

The formation of indie-popsters, Pomegranates, couldn’t have come at a better time. The four guys of the band (Joey Cook, Isaac Karns, Jacob Merritt and Josh Kufeldt – even their names make them sound like indie pop stars) formed the band in late 2006 when indie pop seemed to be at its highest peak ever. Signed to the highly respectable Lujo Records within a week of the release of their first EP, the Poms have since shared the stage with Jimmy Eat World, Peter, Bjorn and John and Islands, to name a few, as well as marking their first performance at Austin’s South by Southwest Festival this past March. Though there appears to be an overflow in the indie-pop world, the Poms stand out as one of the best in the midwest, with a sound that at times is reminiscent of both Modest Mouse and The Shins, although there’s enough there that they sound completely original. They’ve got the look and the sound, so nothing should stop them from being indie pop’s next big thing. I look forward to following the careers of these young gents.

Buffalo Killers
The Lions Rampant
The Seedy Seeds
The Sundresses
Ellery

Three of my favorite discoveries of the year in the local music scene include State Song, The Harlequins and mallory.

Featuring former members of local punk bands like The Invitational, The Dopamines and Black Tie Bombers, State Song is more post-punk-like, with their sometimes dark and heavy, ultra-dynamic brand of melodic pop-rock. They’ve been working hard all year long on their debut full-length album, which is looking like will be released very late this year or very early next year, at the earliest.

The address that The Harlequins use for their MySpace page includes the phrase “remember that band”, as in www.myspace.com/rememberthatband, which shouldn’t come off as presumptuous because after one listen of their recent, debut album, Baron von Headless, you will indeed remember this band and their mix of experimental, psychedelic pop rock. Michael Olivia and company were able to chalk up a nomination for “Best New Artist” at last year’s CEA’s even without a full-length under their belts.

mallory has been a staple in the local music scene for several years now, although it wasn’t until this past summer when I finally made it out to see them. They put a lot of focus on visuals aspects and instrumentation, which reminds me of bands like Mogwai and Explosions in the Sky and even Ampline. There’s huge, noisy walls of sound in their music, but they’re pretty damn good at hiding beautiful, intricate melodies in there as well. Mark your calenders for their CD Release Party on October 23 at the Southgate House.

Eat Sugar
The Minor Leagues
Matthew Shelton’s Picnic
Stick Figure Drawings

I’ve been listening to Ryan Adcock longer than any other local musician, so I always get excited about anything he’s involved in. Lately he’s been up to a new project called Flaregun with The Vinyltones Craig Dockery. The songs for their debut album, Ten Sundays, actually date back several years, where Ryan was writing music inspired by the ideas of various sermons at a local church. There’s always been a spiritual aspect to the songs Ryan writes, but Flaregun wouldn’t exactly consider themselves Christian rock. By using spirituality and God as the subject matter in music, one can often overcome hard times through faith and love, which has certainly helped me at times.

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MidPoint 2009 Artist: Heartless Bastards

August 20th, 2009    Posted in MidPoint Music Festival
 

Heartless Bastards (Dayton/Cincinnati/Austin)
Blues/Country Folk/Garage Rock

When I first heard the name “Heartless Bastards”, my immediate thoughts were, one, that’s the most badass band name of all-time, and two, they sound like they have a sound that is raw, heavy and crunchy. Although the name comes from a trivia quiz game at a bar, I still feel that, one, they have the most badass, rock and roll band name ever, and two, it is the perfect name to describe that raw, heavy, crunchy sound. What I wasn’t expecting from this band, was that they would be fronted by a female. Not that women can’t rock, they certainly can and should, it just seemed to catch me off guard, when it appears that there’s a bit of a lacking in women fronting bluesy, garage rock bands.

The Heartless Bastards were formed in 2003, by a young, twenty-something year old Dayton, Ohio native and former Northside Tavern bartender named Erika Wennerstrom. Now the first thing you’ll always hear about this band has to do with the power and soul captured in Erika’s snarly, wailing voice. She’s been called a number of things from having a vocal range landing “somewhere between a young PJ Harvey and Robert Plant in his prime”, to “Regina Spektor with more muscle” to my personal favorite, “the female Joey Ramone.” While these may seem like legitimate comparisons, Erika is making a name for herself with her own unique voice.

Like I said, the band formed in 2003, featuring Michael Weinel on lead guitar, Adam McAllister on bass and Dave Colvin on drums. But the five-song demo passed onto Patrick Carney of the Black Keys, the demo that got them the record deal with Fat Possum, featured a different lineup. It was recorded in 2002 here in Cincinnati at Ultrasuede, and though it did feature Colvin on drums, it had Reuben Glaser of Pearlene on lead guitar and Jesse Ebaugh on bass. But before they signed that record deal in 2004, the band had become a trio, featuring Erika’s now ex-boyfriend of eleven years, Mike Lamping on bass, and Kevin Vaughn on drums.

A year later in 2005, they would release their first full-length, Stairs and Elevators in which Rolling Stone Magazine would say…“the Heartless Bastards are a small-town band who are ready to show the big city no mercy.” The album captures the raw energy of the band’s live show, with a fluid and solid rhythm section much like John Entwistle and Keith Moon of The Who. The album doesn’t necessarily fit into any one specific genre, but what they’ve created hear sounds fresh, original and inspired. One music critic noted that “you could walk into CBGB’s in 1985 and seen this band onstage, yet they don’t sound dated.”

The follow-up album, All This Time, came a year later in 2006. The Heartless Bastards expanded their boundaries a bit on this record, relying less on guitar riffs and belted vocals and more on musicianship all the while holding onto their unique sound. Before releasing this album, they tested some of the songs out on the road, which were highly praised and welcomed by audiences. The album landed at #12 on local radio station WOXY’s ”Best of the Year”, among the likes of Spoon and ahead of The White Stripes. 

In August of 2008, Erika announced she was moving to “the live music capital of the world”, Austin, Texas. She again reformed the band’s lineup, bringing back original drummer Dave Colvin and Jesse Ebaugh on the bass, but not before recording the third studio album and the band’s most complex to date, The Mountain. The album does not feature Colvin or Ebaugh, rather, it features a number of session musicians like Willie Rhodes, Billy White and Doni Schroader. Marc Nathan also appeared on the album, and would soon after become an official member of the band, making the Heartless Bastards once again, a quartet.

The album sees their most diverse use of instrumentation yet, with the violin, banjo, mandolin and lap steel guitar, which makes for a softer, countrified, folkier sound. Actually you’ll find that on the second half of the album, in tracks seven through eleven, while the first six tracks resemble the sounds of the first two albums. This album is their most slickly produced yet, it’s gentle and more eclectic but it is their most glorious piece of work.

2009 has been the greatest year for the Heartless Bastards, earning spots on nearly every single major music festival in the country and opening for bands like Wilco, The Decemberists, Jenny Lewis and Andrew Bird. This past summer they performed on the Austin City Limits television show, which is celebrating its 35th anniversary this year.

Check out the Heartless Bastards when they come back home to play MidPoint, on Friday, September 25 in the Topic Design Tent at Grammer’s, located at Walnut and East Liberty Streets.

Check ‘em out if you’re into: Everyone from The White Stripes and The Black Keys, to Patti Smith, PJ Harvey and Lucinda Williams

Listen to the Heartless Bastards on MySpace

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The Final Bonnaroo Post

June 28th, 2009    Posted in Bonnaroo 2009, Local Music
 

When you first saw this post you probably thought to yourself, “Oh God…another Bonnaroo post. Just get over it man!” But the truth is that Bonnaroo becomes an obsession for many…could be hundreds, maybe even thousands. Just pay a visit to Inforoo anytime of the year, the unofficial Bonnaroo messageboard, and you’ll see that I’m not the only addict of the festival who constantly has it on their mind.

Although the festival has been over for nearly two weeks now, I don’t think I made a post yet where I really got some things I wanted to say off my chest. Basically what I wanted to write about was how when you leave Bonnaroo, or any festival for that matter, you leave either as a new fan of some bands or a bigger fan of one’s you already knew about. Festivals are really the best music experience, because when you have a ton of bands, in this case over a hundred-and-twenty, you’re gonna find types of music that you may not typically have given a chance. In the three times I’ve attended Bonnaroo combined, I’ve walked away knowing about hundreds of new bands. Some are my favorites today, some were my favorites for a little while, and some may even be among my favorites a year or two from now.

I’ve also noticed that I’m often a little late on picking up on some bands. For instance, at this year’s festival I’d have to say that I became a big fan of both Passion Pit and Chairlift. While Passion Pit has been growing over the past year or so, even just a year can mean all the difference. A year isn’t really long when you think about it, but in music it feels even shorter. Passion Pit had played at Northside Tavern sometime last year, sorry I don’t know the exact date, could’ve been early in the year, could’ve been late. But I remember hearing the buzz grow about that show even before it happened, and I’d like to think that they’ve become much bigger since then and probably don’t stand a chance playing in a tiny venue like that again, although they played the Mad Hatter just days after I saw them at Bonnaroo. One of the biggest shows of their careers, they reached an audience of somewhere around 5,000 people at Bonnaroo, in what served as the best dance party on opening night.

When I left the Peter, Bjorn and John concert at the end of April, they played at the Southgate House, I actually left feeling more interested in what I saw with the opening band, Chairlift. I guess it mostly had to do with hearing new sounds to my ears, as I had been listening to PB & J for at least the past couple years. Not that I had become bored with PB & J, but I’m always in search for new music, or new to me music. I’ve got over 5,600 hundred songs on my iPod and I have to tell you that sometimes I feel like that’s not enough music to satisfy me.

Another band who really impressed me on that first day of Bonnaroo was Hockey. I’d never heard of them, not sure I had even read about them on one of the twenty or so music blogs I check out on a weekly basis. I went in thinking they’d be alright, but left thinking wow, they’re really fucking good!

I love females that can rock, especially those who do it acoustically. The four ladies of Katzenjammer, who hail from Norway, are versatile, multi-instrumentalists who mix everything from folk and bluegrass to pop and punk, along with each’s vocal harmonies.

As a big Neil Young fan, it’s no surprise that I left Bonnaroo as a fan of Everest. Opening for Neil on his last tour, and then with My Morning Jacket on theirs, you can certainly hear a Young-inspiration there, as they’re full of both fuzzy and acoustic Americana rock.

Although I first heard Nickel Creek only some three or four years ago, which doesn’t say much considering they had been around for nearly twenty years, I’m becoming much more impressed and intrigued with the playing of both Sean and Sara Watkins. They both joined Switchfoot frontman, Jon Foreman, for a newer project called Fiction Family. Not much of a stretch of what I was expecting, it’s amazing to see a brother-sister relationship so closely knited while having played music together for so long. I’m a sucker for the violin (or if you want to call it a fiddle) and Sara, along with her angelic voice, will just make your heart melt.

I even came away from the festival as a bigger fan of the Heartless Bastards. Maybe that sounds bad because I’ve lived in Cincinnati my entire life, but I hadn’t seen them in a couple years and I think The Mountain is their best material yet.

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